Naachiyar movie review

NAACHIYAAR REVIEW: Is Bala axis soft? That’s the aboriginal catechism that ancestor up if Naachiyaar ends. The blur has some of the elements that are a connected in a Bala blur — characters from an underprivileged background, the badinage of adoration and caste, abandon that makes us squirm, throwaway $.25 of humour that alone Bala can appear up with...

When we aboriginal see Naachiyaar (Jyotika), a chief cop who is either affronted or empathetic, she is all set to go on vacation. Instead, she goes afterwards men who are demography a abundant minor, Arasi (Ivana), about by force. Meanwhile, Kaathu (GV Prakash), the guy who had allegedly raped her is nabbed, but the babe informs Naachiyaar that Kaathu is in fact her lover. But the adjudicator orders the boy to be beatific to a adolescent home. Naachiyaar, who develops a bendable bend for the girl, takes her home, but even as Arasi delivers the child, the cop comes beyond advice that complicates matters.

While the aboriginal bisected of Naachiyaar, afterwards the characters are established, unfolds mainly as a flashback, giving us the affair amid Kaathu and Arasi, the additional bisected progresses as a whodunit. But the investigation, like abundant of the film, is beneath compelling. Even admitting Bala wants to appearance his Naachiyaar as a adamant cop, conceivably because it is Jyotika arena the role, he presents this appearance in bendable focus. And, clashing in his antecedent films, there is no able adversary for her to aboveboard off against, which robs the appearance of backbone and the blur of drama. Plus, we never absolutely get why this cop gets so complex in this case. There is a casual acknowledgment that she is aswell a mother to a girl, but is that all to it?

The onus to appoint us appropriately avalanche on the actors. While GV Prakash (he looks the part, admitting the affections are not as convincing) and Ivana accomplish able-bodied to acquire our accord for their abandoned characters, Jyotika gives us a brilliant about-face that is let down by the writing. Rockline Venkatesh, as Feroz, a chief cop who has gone through the bullwork and has appear to the realisation that the arrangement cannot be won over, is effective.